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困扰婚姻
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Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.
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剃刀边缘
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家庭主妇凯特（安吉·迪金森 Angie Dickinson 饰）和丈夫的婚姻生活乏善可陈，儿子皮特又（凯西·戈登 Keith Gordon 饰）终日沉迷于自己的发明之中。对此她经常向艾略特（迈克尔·凯...
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谋杀召唤
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Marple is extremely proud when she is appointed to the board of trustees of a merchant marine traini...
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鬼面公仆3
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A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
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瘦人之歌
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喜剧片
Society sleuths Nick and Nora Charles investigate a murder aboard a floating casino. Nick and Nora Charles are attending a charity benefit aboard a gambling ship. After a murder occurs, suspicion falls on Phil Brant, who had argued with the victim earlier in the evening. When Phil and his wife seek help from Nick and Nora, Nick refuses to get involved. But when shots are fired outside his own apartment, Nick begins to investigate, and he soon finds himself in a confusing case with numerous suspects. Nick and Nora Charles were the ultimate screen couple, husband and wife detectives, always in step and never missing an opportunity to outwit one another as they solved each crime, which they did just in time for the movie's ending. Myrna Loy was a fantastic Nora, the ideal wife and considering she made 14 movies with William Powell, she made it look like they were really married. The Thin Man movies, all six of them, played more like sophisticated screwball comedies than murder mysteries, and their comic banter enhanced the proceedings. Their little wire-haired terrier, Asta, quite often stole the scene as he helped sleuth out the guilty party. He was a great little actor and rumor had it that away from the Thin Man movies, Asta was really Skippy. However, the six Thin Man movies credit this cute pooch as "Asta."
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神童1965
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Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.
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你我之间
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Elodie and Laetitia live in close love and dream of having a child. As Elodie discovers that she cannot get pregnant because of a health problem and encounters financial troubles, they decide to take a roommate.
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猛鬼夜惊魂
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术士的魔咒从一百多年前流传下来，随著一个家族的隐私深埋地下。一个平静的美国小镇，即将被来自地狱的复仇邪灵，血洗全镇。古曼家族在一百多年前与一位术士订约，术士施魔法史洪福镇风调雨顺，年年丰收。古曼家却因该术士行淫练沾污镇上的妇女，而背约将术士杀死。如今术士的邪灵从地狱里脱困前来报仇。只有克丽儿和古曼家的工头狄伦能解厄运，而他们必须先找到术士遗留下来的魔咒书，按书上的指示降服邪灵。要不然全镇在劫难逃，生不如死。
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病毒
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因家庭的缘故，高中女生艾玛（索菲亚·布莱克-德埃利亚 Sofia Black-D'Elia 饰）随教授生物的父亲（迈克尔·凯利 Michael Kelly 饰）搬到了加州的影子峡谷居住。在此期间，一种...
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啪
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Slam，大致可以翻译成“诗喃”，对大多数人来说或许是一个陌生的名词。这是一场艺术运动，起源于1986年，美国诗人Marc Smith希望能让诗从精英主义的高阁走下来，让诗歌的阅读更普及并且更加有趣，诗喃由此诞生。诗喃创作者不需要考虑统一的格律，只需要根据自己对生活的观察和感悟用他们喜欢的文字和风格表达出来，这一种超越，让诗喃本身承载着自由、开放、平等、分享的意味。 如何进入这个自由狂放又诗意的世界？导演Marc Levin在《Slam》这部作品中，从黑人街头文化、帮派文化、说唱文化（注：诗喃不是说唱，而是比说唱更自由的形式），进行切入，讲述了一个通过自我思考和自由表达，最终达至自我发现、自我救赎的故事。通过镜头，我们将与男主人公一起，走过黑人街区、监狱、城市街头、诗喃大会，在命运面前求索，一步步走近生活与内心的真实，并以此为源，化为蓬勃而真挚的诗喃。 诗喃的表演形式非常纯粹，没有服饰、没有布景、没有音乐，整个过程仅靠诗喃者的声音与肢体语言进行表达。舞台、诗喃者、观众三个元素即构成了这个简单、自由、原生的场域，乃至于，当诗喃的精神深入骨髓，连日常的对话，都可以化律动的诗喃，绽放出语言美妙的流动性。而随着影片的深入，相信你会在最后的演绎中，感受到诗喃者的自我挖掘诚挚脆弱如赤裸婴儿，诗喃者的情感澎湃汹涌野生如荒岛巨浪。那是简单如一、一即是全的彻底的生命表达。
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月球
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2029年，韩国载人飞船“探月号”出发前往月球，即将产生第二个成功登月的国家，任务备受全世界瞩目。然而“探月号”不幸遇上太阳黑子爆发所引致的太阳风暴，发生严重意外，宇航员黄善宇（都暻秀饰）成为“探月号”的唯一幸存者。为了营救流浪月球的黄善宇，隐居小白山天文台的前载人飞船飞行总监金载国（薛景求饰），加入了救援行动，同时韩国政府亦要求美国太空总署（NASA）的总监尹文英（金喜爱饰）及月球门户太空站介入协助，但却一直遇上重重阻挠。载人飞船的燃料将近耗尽，氧气亦正在倒数，再加上流星雨撞击与月震，被孤立在38.4万公里以外月球上的宇航员黄善宇，个人的一小步也足以令全球人类紧张屏息，到底营救行动会如何发展？
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决斗的人
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战争片
[天国王朝][角斗士][黑鹰坠落]视觉大导---雷德利·斯科特处女作 戛纳电影节最佳处女作奖 故事发生在动荡的拿破仑时期，法军中两个军官发生了争执，其中一个受到了侮辱，导致了长达一生的敌意。这两个军官D'Hubert和Feraud,一次又一次的交手试图去证明自己的正义和捍卫自己的荣誉。
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黑暗侵袭2
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美国阿巴拉契亚山脉的查图嘎国家公园岩洞群，朱诺（Natalie Jackson Mendoza 饰）、莎拉（Shauna Macdonald 饰）一行六人在此经历了一生中最恐怖的时刻，最终只有莎拉一人侥幸逃生。在此之后，警方派出大批搜救人员进山寻找遇难者的尸体以及可能的幸存者，但是最终却一无所获。女警官萝丝（Krysten Cummings 饰）负责询问莎拉失踪事件的始末，但是莎拉对过往发生的事情没有任何记忆。为了寻找幸存者和事实真相，萝丝带着莎拉再次来到岩洞群，并在此与搜救人员凯西（Anna Skellern 饰）和格雷格（Joshua Dallas 饰）等碰头。他们从废弃的矿井口进入岩洞，不久便发现贝丝等人的尸体。搜救人员意识到这不是简单的失踪事件，与此同时危险正向他们悄悄逼近……
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终结者
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这是一个未来的世界，天下已经由机器人来操控。机器人想完全占有这个世界，把人类赶尽杀绝，然而却遇到了顽强抵抗的人类精英康纳。于是，终结者机器人T-800（阿诺•施瓦辛格 Arnold Schwarzen...
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钢琴教师
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40岁的ErikaKohut（伊莎贝尔·于佩尔IsabelleHuppert饰）表面上是一个优雅的钢琴老师，外形独特、气质出众，但对学生却无比严厉。同时她的母亲专制又无理，无休止的折磨令Erika的各种欲望都无法发泄。于是Erika只好躲在厕所用剃刀伤害自己以求快感，嗅着内裤上的味道以发泄欲望，还去租看色情录像带。当18岁英俊冲动的Walter（伯努瓦·马吉梅BenoîtMagimel饰）闯进她的生活时，一切都改变了。他们互相需索互相慰藉，Erika以为她终于找到了自己的幸福，然而年少的Walter有一日厌倦了这种关系……
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天赐 第一季
已完结
欧美剧
赤身裸体，浑身布满黏液的Kyle（马特·达拉斯 Matt Dallas 饰）从天而降。他不知道自己是谁，对世界一无所知，没有语言能力，甚至不懂得如何进食，但他却似乎具备天生的抵御危险和生存的能力。他的大脑就像一个刚出世的婴儿般，但是却有极强的领悟能力。好心的心理学家Nicole Trager（玛格丽特·马科林苔 Marguerite MacIntyre 饰）收留了他，把他带到她的家里。而Trager一家的其它三位成员Bruce Thomas - Stephen Trager（布鲁斯·托马斯 Bruce Thomas 饰）、Lori Trager（艾普萝·美森 April Matson 饰）和Jean-Luc Bilodeau - Josh Trager（让-卢克·比洛多 Jean-Luc Bilodeau 饰）也开始接受这个神秘的男孩。神奇男孩Kyle的故事从这里开始......
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最后五个人
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Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.