• 大街上的商店

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    战争片

      1942年,沦陷的斯洛伐克某小镇上,德国人正在主持修建庞大的木制纪念碑,但当地木匠托尼(Jozef Króner 饰)对此并不关心,妻子的唠叨已经让他足够烦恼。托尼的妹妹嫁给军官后生活大有改观,托尼也借妹夫的权利,获赠一纸批文,得到了大街边一家犹太商店的所有权。店主是一位78岁的犹太寡妇劳特曼(Ida Kaminska 饰),耳聋眼花,托尼与她夹缠不清之际始发现这家商店徒有空壳,早已没有多少货物,然而照顾劳特曼可以得到犹太组织的酬劳,托尼于是瞒着妻子在店中帮工,对外却宣称自己是店长。不久,德国人开始把犹太人收押后运往集中营,托尼想要藏起劳特曼,但心中经历着巨大的煎熬。商店外,犹太人在纪念碑下集中出发,商店内,托尼面对不明所以的老妇借酒浇愁……  本片获1966年奥斯卡最佳外语片奖。

  • 捷克斯洛伐克60年代新浪潮电影二十五面体

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    纪录片

      The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.  The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.  The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.  Part 1 comments on:  ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher  ■"Konkurs" ("Audition," 1963) by Miloš Forman  ■"Křik" ("The Cry," 1963) by Jaromil Jireš  ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt  ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm  ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec  ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer  ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa  ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos  ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra  ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová  ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel  Part 2 comments on:  ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko  ■"Stud" ("Shame," 1967) by Ladislav Helge  ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík  ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner  ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil  ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek  ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz  ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová  ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan  ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček  ■"322" ("322," 1969) by Dušan Hanák  ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta  ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

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