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没有和解
HD
剧情片
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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无人呼叫
HD
爱情片
50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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2014MAMA亚洲音乐盛典
HD中字
日韩综艺
2014年度的Mnet亚洲音乐大奖(MAMA)于12月3日在中国香港举行，也是MAMA第三次在香港举办音乐盛典。MAMA创立于2009年,是亚洲最大的音乐庆典之一。2013MAMA向五大洲94个国家进行现场直播。覆盖观众人数达24亿，而2014年的MAMA音乐庆典规模将超越2013年。“Big Bang”成员太阳获得最佳男歌手奖，而最佳女歌手则由“国民妹妹”IU夺下，成为今年颁奖典礼最大的2大赢家。 以火辣、性感形象著称的SISTAR拿下最佳女子团体奖，并为现场观众带来火热演出；出道以来一直备受关注的男团EXO，在本次颁奖典礼中不负众望夺得最佳男子团体奖，也接着拿到“年度亚洲艺人”、“年度最佳专辑”2大奖项，致词时受到粉丝热烈欢呼支持。
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